Me, in the little town of Dyke, VA
best.
Tracks
Reading between the lines - Gijs Van Vaerenbergh
Depending on the perspective of the viewer, the church is either perceived as a massive building, or dissolves — partly or completely — into the landscape. Those viewers that look from the inside of the church to the outside, on the other hand, witness an abstract play of lines that reshapes the surrounding landscape. In this way, church and landscape can both be considered part of the work — hence also its title, which implies that to read between the lines, one must also read the lines themselves. In other words: the church makes the subjective experience of the landscape visible, and vice versa.
Mineral Microscopy
Stephanie Bateman-Graham does mineral microscopy, or as she prefers to call it “using a low-powered digital toy microscope to take pictures of beautiful minerals”. In these works Bateman-Graham discovers the parts of nature that are weirdly similar to recognizable art styles — from Van Gogh impressionism to the fractured lines of Picasso. I’ve included her descriptions of the three works above:
Ecosystem (Moss Agate): Do you see a mixed population of microbes living together in a complete ecosystem? Actually it’s a microscope view of the mineral Stringy Moss Agate from Lake Bonneville. The material is translucent which gives a watery feel to the image, but it is entirely solid crystal.
Heart of Stony Glass (Opalite): Microscope view of the Australian mineral Rosella Opalite. The light bounces around this veined and fractured crystalline material to reveal a heart and vascular system inside the stone. The amazing brushstrokes and textures in this image are all natural.
Fire Mountain (Lace Agate): A mountain burns in this microscope view of the mineral Laguna Lace Agate from Mexico. Also known as Crazy Lace Agate.
To see more of Bateman-Graham’s works, click here.
Dali by Philippe Halsman
(Source: age-sex-location)
Immature people falling in love destroy each other’s freedom, create a bondage, make a prison. Mature persons in love help each other to be free; they help each other to destroy all sorts of bondages. And when love flows with freedom there is beauty. When love flows with dependence there is ugliness.
A mature person does not fall in love, he or she rises in love. Only immature people fall; they stumble and fall down in love. Somehow they were managing and standing. Now they cannot manage and they cannot stand. They were always ready to fall on the ground and to creep. They don’t have the backbone, the spine; they don’t have the integrity to stand alone.
A mature person has the integrity to stand alone. And when a mature person gives love, he or she gives without any strings attached to it. When two mature persons are in love, one of the great paradoxes of life happens, one of the most beautiful phenomena: they are together and yet tremendously alone. They are together so much that they are almost one. Two mature persons in love help each other to become more free. There is no politics involved, no diplomacy, no effort to dominate. Only freedom and love.
A mature person does not fall in love, he or she rises in love. Only immature people fall; they stumble and fall down in love. Somehow they were managing and standing. Now they cannot manage and they cannot stand. They were always ready to fall on the ground and to creep. They don’t have the backbone, the spine; they don’t have the integrity to stand alone.
A mature person has the integrity to stand alone. And when a mature person gives love, he or she gives without any strings attached to it. When two mature persons are in love, one of the great paradoxes of life happens, one of the most beautiful phenomena: they are together and yet tremendously alone. They are together so much that they are almost one. Two mature persons in love help each other to become more free. There is no politics involved, no diplomacy, no effort to dominate. Only freedom and love.
